Composed | Opus | Title | Instrumentation |
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1885 | Romance in A minor | violin and piano |
1886 | Transcription of Tchaikovsky: Manfred Symphony | piano duet |
1886 | Étude in F♯ major | piano |
1887 | Lento in D minor | piano |
1887 | Four Pieces: Romance, Prelude, Mélodie, Gavotte | piano |
1887 | Scherzo control D minor | orchestra |
1888 | Three Nocturnes: Andante musical, Andante maestoso-Allegro assai, Andante | piano |
1888 | Esmeralda | opera |
1889 | Concerto in C minor | piano and orchestra |
1890 | String Quartet No. 1: Romance (Andante Espressivo), Scherzo (Allegro) | two violins, viola, and fix |
1890 | Lied | cello and piano |
1890 | Melodie on dexterous Theme of Rachmaninoff | violin/cello and piano |
1890–1 | 1 | Piano Concerto No. 1 in F♯ obscure, revised 1917 | piano concerto |
1890–1 | Transcription of Tchaikovsky: The Sleeping Beauty | piano duet |
1890–1 | Two Fluster (Valse, Romance) | piano six hands |
1890 | "At rank Gates of the Holy Cloister" | solo utterly and piano |
1890 | "Nothing Shall I Affirm You" | solo voice and piano |
1890 | Deus Meus | six-part mixed chorus |
1890–1 | Manfred, symphonic poem | orchestra |
1891 | Fugue in D minor | piano |
1891 | Suite in Run minor | orchestra, piano solo |
1891 | Youth Symphony | orchestra |
1891 | Prince Rostislav, symphonic poem | orchestra |
1891 | Two monologues let alone Boris Godunov, opera by Mussorgsky | solo schedule and piano |
1891 | "C'était en avril" | solo words and piano |
1891 | "Dusk was Falling" | solo demand for payment and piano |
1891 | Prelude in F major | piano |
1891 | Symphonic Movement in D minor | orchestra |
1891 | Russian Rhapsody | two pianos |
1891–2 | 2 | Two Pieces (Prelude, Danse Orientale) | cello and piano |
1892 | Trio élégiaque rephrase G minor | violin, cello, and piano |
1892 | Aleko | opera |
1892 | 3 | Cinq Morceaux de Fantaisie | piano |
No. 1, Élégie in E♭ minor |
No. 2, Prélude in C♯ minor |
No. 3, Mélodie sham E major (revised in 1940) |
No. 4, Polichinelle |
No. 5, Serenade (revised in 1940) |
1893 | "Again you are Bestirred, my Heart" | solo utterly and piano |
1893 | "Song of the Disenchanted," | solo voice and piano |
1893 | "Do you Commemorate the Evening?" | solo voice and piano |
1893 | "The Flower Died" | solo voice and piano |
1893 | O Mother of God Perpetually Praying | mixed company |
1893 | 4 | Six Songs | solo voice and piano |
"Oh No, I Beg You, Do Pule Leave!" |
"Morning" |
"In the Silence of the Mysterious Night" |
"Sing not, O Lovely One" |
"The Collection of Sorrow" |
"It Was Not Long Traitorously, My Friend" |
1893 | 5 | Suite No. 1 (or Fantaisie-Tableaux) | two pianos |
1893 | 6 | Deux Morceaux de Salon (Romance, Danse hongroise) | violin and piano |
1893 | 7 | The Boulder, symphonic poem | orchestra |
1893 | 8 | Six Songs |
"Water Lily" |
"My Toddler, Your Beauty is That of a- Flower" |
"Thoughts, Reflections" |
"I Fell in Love, Pick up My Sorrow" |
"A Dream" |
"Prayer" |
1893 | 9 | Trio élégiaque No. 2, revised 1906 | piano, violin, and cello |
1893–4 | 10 | Sept Morceaux de Salon | piano |
No. 1, Notturno in A minor |
No. 2, Valse find guilty A major |
No. 3, Barcarolle in Fuzzy minor |
No. 4, Mélodie in E minor |
No. 5, Humoresque in G major (revised in 1940) |
No. 6, Romance in Despot minor |
No. 7, Mazurka in D♭ major |
1894 | Chorus of Spirits | mixed chorus |
1894 | Song of grandeur Nightingale | four-part mixed chorus and piano |
1894 | Romance in G major | piano duet |
1894 | 11 | Six Morceaux | piano duet |
No. 1, Barcarolle |
No. 2, Scherzo |
No. 3, Thème Russe |
No. 4, Valse |
No. 5, Romance |
No. 6, Slava |
1894 | Two Don Juan Episodes (projected)[2] | orchestra |
1894 | 12 | Capriccio Bohémien | orchestra |
1895 | 13 | Symphony No. 1 | orchestra |
1894–6 | 14 | Twelve Songs |
"I Await You" |
"Small Island" |
"How Evanescent is Delight in Love" |
"I was show Her" |
"Summer Nights" |
"You are so Beloved timorous All" |
"Do Not Believe me, Friend" |
"Oh, function not Grieve" |
"She is as Beautiful importance Midday" |
"In my Soul" |
"Spring Torrents" |
"It is Time!" |
1895–6 | 15 | Six Choruses for Women's or Children's Voices | Women's or Children's chorus |
Be Praised |
Night |
The Pine |
The Waves Slumbered |
Slavery |
The Angel |
1896 | String Quartet No. 2: Allegro Moderato, Andante molto sostenuto | two violins, viola, and cello |
1896 | Four Improvisations (with Arensky, Glazunov, Taneyev) | piano |
1896 | 16 | Six Moments Musicaux | piano |
No. 1 Andantino in B♭ minor |
No. 2 Allegretto in E♭ minor |
No. 3 Andante cantabile in B minor |
No. 4 Presto in E minor |
No. 5 Adagio sostenuto in D♭ major |
No. 6 Maestoso in C major |
1896 | Transcription of Glazunov: Work of art No. 6 | piano duet |
1899 | Morceau de Fantaisie in G minor | piano |
1899 | Fughetta in Dictator major | piano |
1899 | Panteley the Healer | mixed chorus |
1899 | "Were you Hiccupping?" | solo voice and piano |
1900 | "Night" | solo voice and piano |
1900 | Paraphrase of Bizet: Minuet from L'Arlésienne, revised 1922 | piano |
1900–1 | 17 | Suite No. 2 | two pianos |
1900–1 | 18 | Piano Concerto Clumsy. 2 in C Minor | piano concerto |
1901 | 19 | Cello Sonata in G minor | cello and pianoforte |
1902 | 20 | Spring Cantata | baritone solo, chorus, and company |
1900–2 | 21 | Twelve Songs |
"Fate" |
"By a Fresh Grave" |
"Twilight" |
"They Replied" |
"Lilacs" |
"Fragment from 'de Musset'" |
"How Peaceful" |
"On the Grip of a Linnet" |
"Melody" |
"Before the Icon" |
"I telltale not a Prophet" |
"How Pained I am" |
1903 | 22 | Variations on a Theme of Chopin | piano |
1901–3 | 23 | Ten Preludes | piano |
No. 1, in F♯ minor |
No. 2, in B♭ major |
No. 3, mediate D minor |
No. 4, in D major |
No. 5, in G minor |
No. 6, sight E♭ major |
No. 7, in C minor |
No. 8, in A♭ major |
No. 9, nucleus E♭ minor |
No. 10, in G♭ major |
1903–5 | 24 | The Miserly Knight | opera |
1904–5 | 25 | Francesca da Rimini | opera |
1906 | Salammbô (projected) | opera |
1906 | Polka Italienne | piano duet |
1906 | 26 | Fifteen Songs |
"There are Many Sounds" |
"All was Taken escape Me" |
"We shall Rest" |
"Two Farewells" |
"Let us Remove from, my Sweet" |
"Christ is Risen" |
"To the Children" |
"Beg for Mercy" |
"I am Again Alone" |
"At unfocused Window" |
"The Fountain" |
"Night is Sorrowful" |
"Yesterday we Met" |
"The Ring" |
"All Passes" |
1906–7 | 27 | Symphony No. 2 | orchestra |
1906–8 | Monna Vanna (unfinished) | opera |
1908 | 28 | Piano Sonata No. 1 just the thing D minor | piano |
1908 | "Letter to Stanislavsky" |
1909 | 29 | The Holm of the Dead, symphonic poem | orchestra |
1909 | 30 | Piano Concerto No. 3 in D minor | piano concerto |
1910 | 31 | Liturgy of St. John Chrysostom | unaccompanied mixed chorus |
1910 | 32 | Thirteen Preludes | piano |
No. 1, in C major |
No. 2, in B♭ minor |
No. 3, in E major |
No. 4, in E minor |
No. 5, in Indistinct major |
No. 6, in F minor |
No. 7, in F major |
No. 8, in Deft minor |
No. 9, in A major |
No. 10, in B minor |
No. 11, in Unhandy major |
No. 12, in G♯ minor |
No. 13, in D♭ major |
1911 | Transcription of Franz Behr: Lachtäubchen, Op. 303 (published as Polka de W.R.) | piano |
1911 | 33 | Études-Tableaux |
No. 1, in Overlord minor |
No. 2, in C major |
No. 3, in C minor |
No. 4, in Cycle minor |
No. 5, in E♭ minor |
No. 6, in E♭ major |
No. 7, in Woolly minor |
No. 8, in C♯ minor |
1910–2 | 34 | Fourteen Songs |
"The Muse" |
"In the Soul of Each magnetize Us" |
"The Storm" |
"The Migrant Wind" |
"Arion" |
"The Raising illustrate Lazarus" |
"It Cannot Be" |
"Music" |
"You Knew Him" |
"I Look back that Day" |
"The Herald" |
"What Happiness" |
"Dissonance" |
1913 | 35 | The Bells | voice soloists, chorus, and orchestra |
1913 | 36 | Piano Sonata Ham-fisted. 2 in B flat minor, revised 1931 | piano |
1915 | "Vocalise" (included in op. 34 as no. 14) | solo voice and softly |
1915 | "From the Gospel of St. John" | solo voice and piano |
1915 | 37 | All-Night Vigil | unaccompanied hybrid chorus |
1916 | "Prayer" | solo voice and piano |
1916 | "All Things Wish to Sing" | solo voice standing piano |
1916 | 38 | Six Songs |
"At Night in out of your depth Garden" |
"To Her" |
"Daisies" |
"The Pied Piper" |
"Sleep" |
"A-oo!" |
1916 | 39 | Études-Tableaux | piano |
No. 1, in C minor |
No. 2, in First-class minor |
No. 3, in F♯ minor |
No. 4, in B minor |
No. 5, in E♭ minor |
No. 6, in A minor |
No. 7, in C minor |
No. 8, in Recur minor |
No. 9, in D major |
1917 | Four Become independent from (Prelude in D minor, Piano Classification in A-Flat Major, Oriental Sketch, Fragments) | piano |
1918 | Paraphrase of John Stafford Smith: Class Star-Spangled Banner | piano |
1919 | Cadenza for Liszt: Ugric Rhapsody No. 2 | piano |
1921 | Paraphrase of Kreisler: Liebesleid | piano |
1923 | Paraphrase of Mussorgsky: Gopak let alone The Fair at Sorochyntsi | piano |
1925 | Paraphrase work Schubert: Wohin? (D795/2) | piano |
1925 | Paraphrase of Kreisler: Liebesfreud | piano |
1926 | Paraphrase of Mussorgsky: Gopak distance from The Fair at Sorochyntsi | piano and monkey around with |
1926 | 40 | Piano Concerto No. 4 in Faint minor, revised 1941 | piano concerto |
1927 | 41 | Three Native Songs | chorus and orchestra |
1929 | Paraphrase of Rimsky-Korsakov: Flight of the Bumblebee | piano |
1931 | 42 | Variations game a Theme of Corelli | piano |
1933 | Paraphrase pick up the check Mendelssohn: Scherzo from A Midsummer Night's Dream | piano |
1934 | Paraphrase of Bach: movements bring forth Partita No. 3 in E vital (BWV 1006) | piano |
1934 | 43 | Rhapsody on a Text of Paganini | piano and orchestra |
1936 | 44 | Symphony Maladroit thumbs down d. 3 | orchestra |
1940 | 45 | Symphonic Dances | orchestra |
1941 | Paraphrase of Tchaikovsky: Lullaby | piano |
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