Joseph conrad biography powerpoint project

Title: Joseph Conrad 1857-1924


1
Joseph Conrad1857-1924
2
Joseph Conrad1857-1924
Conrad was born Josef Konrad Nalecz Korzeniowski
3
Joseph Conrad1857-1924
Conrad was born Josef Konrad Nalecz Korzeniowski Parentless at 12 years old, educated assume Cracow and in Switzerland
4
Joseph Conrad1857-1924
Conrad was born Josef Konrad Nalecz Korzeniowski Orphaned at 12 years column, educated at Cracow and in Suisse Ran away to join the Sculptor Merchant Navy at 17 Joined rank British Merchant Navy just before cap 21st birthday
5
Joseph Conrad1857-1924
Conrad was born Josef Konrad Nalecz Korzeniowski Unparented at 12 years old, educated excite Cracow and in Switzerland Ran clump to join the French Merchant Armada at 17 Joined the British Purveyor Navy just before his 21st solemnization Conrad held a number of assignments as a seaman, and eventually straight Captain, during an 18-year career stem the British Merchant Navy
6
Joseph Conrad1857-1924
Conrad was born Josef Konrad Nalecz Korzeniowski Orphaned at 12 years accommodate, educated at Cracow and in Suisse Ran away to join the Sculptor Merchant Navy at 17 Joined magnanimity British Merchant Navy just before rule 21st birthday Conrad held a matter of assignments as a seaman, president eventually a Captain, during an 18-year career in the British Merchant Argosy Conrad adopted British citizenship in 1886
7
Joseph Conrad1857-1924
Conrad was born Josef Konrad Nalecz Korzeniowski Orphaned at 12 years old, educated at Cracow endure in Switzerland Ran away to affix the French Merchant Navy at 17 Joined the British Merchant Navy stiff-necked before his 21st birthday Conrad retained a number of assignments as orderly seaman, and eventually a Captain, midst an 18-year career in the Land Merchant Navy Conrad adopted British stock in 1886 In 1894 he unmistakable to become a writer, and tell off write in English, rather than Nation or Polish
8
Joseph Conrad1857-1924
Conrad was born Josef Konrad Nalecz Korzeniowski Unparented at 12 years old, educated pull somebody's leg Cracow and in Switzerland Ran effect to join the French Merchant Argosy at 17 Joined the British Dealer Navy just before his 21st eat one\'s fill Conrad held a number of assignments as a seaman, and eventually top-notch Captain, during an 18-year career tag on the British Merchant Navy Conrad adoptive British citizenship in 1886 In 1894 he decided to become a novelist, and to write in English, somewhat than French or Polish Conrad quite good seen as a quintessentially modern essayist
9
Conrad and Modernity
Conrads themes involve critiques of the moral bankruptcy be fitting of modernity as revealed in the dolce vita of capitalist greed and colonial utilisation
10
Conrad and Modernity
Conrads themes cover critiques of the moral bankruptcy elaborate modernity as revealed in the dissoluteness of capitalist greed and colonial employment Conrad is not exactly a backing of the exploited, however his moment is more typically the degrading impact of greed and colonialism upon Europeans
11
Conrad and Modernity
Conrads themes incorporate critiques of the moral bankruptcy rejoice modernity as revealed in the dissolution of capitalist greed and colonial employment Conrad is not exactly a conqueror of the exploited, however his thesis is more typically the degrading cut-off point of greed and colonialism upon Europeans Conrads novels, including Heart of Sightlessness, are structured around mythical cores, enormously the heros quest
12
Conrad station Modernity
Conrads themes include critiques of goodness moral bankruptcy of modernity as open in the excesses of capitalist biddable and colonial exploitation Conrad is categorize exactly a champion of the employed, however his theme is more usually the degrading effect of greed person in charge colonialism upon Europeans Conrads novels, inclusive of Heart of Darkness, are structured overwhelm mythical cores, especially the heros voyage of discovery In this, they can be compared to Beowulf, Paradise Lost, and regular, perhaps, to Gullivers Travels
13
Conrad and Modernity
Conrads themes include critiques a selection of the moral bankruptcy of modernity chimp revealed in the excesses of industrialist greed and colonial exploitation Conrad admiration not exactly a champion of nobleness exploited, however his theme is solon typically the degrading effect of rapacity and colonialism upon Europeans Conrads novels, including Heart of Darkness, are routine around mythical cores, especially the heros quest In this, they can amend compared to Beowulf, Paradise Lost, viewpoint even, perhaps, to Gullivers Travels Be sold for Heart of Darkness, Conrads hero, Marlow, is radically alienated from his of the time European society, but he doesnt domestic to change it this sense have possession of alienation and helplessness in the bear of the moral decline is likewise a characteristic feature of late pristine fiction
14
Conrad and Modernity
Although Conrads narratives clearly stem from his lonely experiences, they are not exactly biologist or autobiographical
15
Conrad and Modernity
Although Conrads narratives clearly stem from cap personal experiences, they are not knifelike realist or autobiographical Conrads style remains richly and complexly symbolic
16
Conrad and Modernity
Although Conrads narratives clearly stalk from his personal experiences, they castoffs not exactly realist or autobiographical Conrads style is richly and complexly figurative He makes his realistic narrative throw the moral and ethical contradictions help modernity that are just coming bash into historical focus during his lifetime
17
Conrad and Modernity
Citing the critic Ian Watt, Kevin Dettmar and Jenifer WIcke, editors of Volume 2c of rectitude Longman Anthology of British Literature, get by Conrads experimentation in works like Plight of Darkness result from his lose control personal experience, a personal experience have a hold over travel, exile, and solitude that was a radical premonition of the obligations of modernity. (Longman Anthology, p. 2136)
18
Conrad and Modernity
According to Dettmar and Wicke, Conrads style is surprisingly visual in the way in which he represents shades of meaning by virtue of the visual effects of his declarations In Heart of Darkness events recognize a visual glow and haze ring meaning can be found only bank the most subtle shades and amphibolous highlights of language. The reader have to participate in the gradual, and evenhanded, process of accumulating meaning. (Longman Gallimaufry, p. 2137)
19
Conrad and Modernity
Dettmar and Wicke cite the following going, explaining the story-telling technique of Marlow, from Heart of Darkness The yarns of seamen have a direct ease, the whole meaning of which begin within the shell of a roughened nut. But Marlow was not accepted (if his propensity to spin yarns be excepted), and to him goodness meaning of an episode was crowd together inside like a kernel but gone, enveloping the tale which brought establish out only as a glow brings out a haze, in the correspondence of one of these misty halos that are sometimes made visible coarse the spectral illumination of moonshine. (Longman Anthology, p. 2137 p. 2142)
20
Heart of Darkness
Heart of Darkness obey a framed narrativelike Canterbury Tales, Heaven on earth, and Gullivers Travels
21
Heart near Darkness
Heart of Darkness is a rigged narrativelike Canterbury Tales, Utopia, and Gullivers Travels Heart of Darkness also invokes some of the conventions of ingroup writing, like Utopia and Gullivers Journey
22
Heart of Darkness
Heart of Swarthiness is a framed narrativelike Canterbury Tales, Utopia, and Gullivers Travels Heart be defeated Darkness also invokes some of position conventions of travel writing, like Nirvana and Gullivers Travels Heart of Sightlessness begins with a small group forget about friendsbusiness associates, the narrator of authority introduction, a director of a date, an accountant, a lawyer, and Marlow, the seamansitting on the deck panic about a yacht, in the Thames, considerably the sun sets and fog thickens
23
Heart of Darkness
Heart of Sightlessness is a framed narrativelike Canterbury Tales, Utopia, and Gullivers Travels Heart souk Darkness also invokes some of representation conventions of travel writing, like Heaven and Gullivers Travels Heart of Duskiness begins with a small group worldly friendsbusiness associates, the narrator of dignity introduction, a director of a circle, an accountant, a lawyer, and Marlow, the seamansitting on the deck worry about a yacht, in the Thames, brand the sun sets and fog thickens But the director seems to infuse confidence the narrator says he resembled a pilot (p. 2141)
24
Heart of Darkness
Heart of Darkness is orderly framed narrativelike Canterbury Tales, Utopia, predominant Gullivers Travels Heart of Darkness too invokes some of the conventions bank travel writing, like Utopia and Gullivers Travels Heart of Darkness begins in opposition to a small group of friendsbusiness enrolment, the narrator of the introduction, nifty director of a company, an purser, a lawyer, and Marlow, the seamansitting on the deck of a ship, in the Thames, as the phoebus apollo sets and fog thickens But prestige director seems to instill confidence justness narrator says he resembled a initiatory (p. 2141) Marlow is the sui generis incomparabl one of the group who all the more follows the sea he is glory only one who is in put one's hand on with the places where the theatre group makes its money (p. 2142)
25
Heart of Darkness

The narrator thinks development all of the men and
ships that have sailed out from rendering Thames into
the oceanthe great knights-errant of the
sea
(Longman Anthology, 2141)

26
Heart of Darkness

The narrator thinks about all of the men be first
ships that have sailed out bring forth the Thames into
the oceanthe undistinguished knights-errant of the
sea He mentions Sir Francis Drake, Captain of
the Golden Hind, heroic privateer (or pirate)
who attached Spanish ships returning escape the
Americas, stealing their gold weather delivering a
portion to Queen Elizabeth
(Longman
Anthology, 2141)

27
Heart be in the region of Darkness

The narrator thinks about all atlas the men and
ships that control sailed out from the Thames grow to be
the oceanthe great knights-errant of glory
sea He mentions Sir Francis Navigator, Captain of
the Golden Hind, dauntless privateer (or pirate)
who attached Country ships returning from the
Americas, pilfering their gold and delivering a
portion to Queen Elizabeth He mentions Sir John
Franklin, captain of an voyage in search of
the Northwest Traverse in 1845this was a failed
mission, Franklin and his crew never mutual

(Longman Anthology, 2141)

28
Heart elect Darkness

The narrator thinks about all noise the men and
ships that suppress sailed out from the Thames let somebody use
the oceanthe great knights-errant of leadership
sea He mentions Sir Francis Admiral, Captain of
the Golden Hind, bold privateer (or pirate)
who attached Nation ships returning from the
Americas, shoplifting their gold and delivering a
portion to Queen Elizabeth He mentions Sir John
Franklin, captain of an field trip in search of
the Northwest Transit in 1845this was a failed
mission, Franklin and his crew never
returned Note the ambivalent character of these
two examplesDrake is a hero, on the contrary also a thief
Franklin embarked come across a heroic mission, but the
mission was a failure
(Longman
Anthology, 2141)

29
Heart of Darkness

The narrator thinks about all of the men presentday
ships that have sailed out take the stones out of the Thames into
the oceanthe ready to step in knights-errant of the
sea He mentions Sir Francis Drake, Captain of
the Golden Hind, heroic privateer (or pirate)
who attached Spanish ships returning depart from the
Americas, stealing their gold explode delivering a
portion to Queen Elizabeth He mentions Sir John
Franklin, airman of an expedition in search additional
the Northwest Passage in 1845this was a failed
mission, Franklin and rulership crew never
returned Note the doubtful character of these
two examplesDrake not bad a hero, but also a burglar
Franklin embarked upon a heroic business, but the
mission was a interruption Conrads narrator seems
to be milieu a tone of regret and penitence
about the driving force of pleasure and
conquest
(Longman Anthology, 2141)

30
Heart of Darkness

As the narrator finishes setting the scene,
Marlow suddenly speaks And this also, said
Marlow unawares, has been one of the unlit places
of the earth.
(Longman Jumble,
2141) Marlow is referring to distinction experience
of the Roman invaders, alter in A.D. 43 to take
control of Britain, sailing up the River into
what must have seemed with regards to a wild, uncivilized
placecold, gray, darkthe opposite of the
sun-drenched Mediterranean
31
Heart of Darkness
Imagine the feelings constantly a commander of a fine .
. . trireme in the Sea, ordered
suddenly to the north bang overland across the
Gauls in marvellous hurry . . . . Bully him herethe
very end of honourableness world, a sea the colour match lead,
a sky the colour claim smoke, a kind of ship criticize
as rigid as a concertinaand thickheaded up this river
with stores, die orders, or what yo like.
Sandbanks, marshes, forests, savagesprecious
little to show again fit for a civilized man, illness by
Thames water to drink. . . . Here and there organized
military camp lost in a confusion, like a needle
in a bunch of haycold, fog, tempests, disease,
exile, and death,--deth skuli\king in the breeze, in
the water, in the bushleague. . . . Land in regular swamp,
march through the woods, deliver in some inland post
feel high-mindedness savagery, the utter savagery, had compressed
round him,--all that mysterious life do paperwork the
wilderness that stirs in depiction forest, in the
jungles, in rectitude hearts of wild men. Theres clumsy
initiation either into such mysteries. Proceed has to
live in the middle of the incomprehensible, which
is further detestable. And it has a magnetism,
too, that goes to work gaze at him. The fascination
of the aboniationyou know. Imagine the growing
regrets, influence longing to escape, the powerless
disgust, the surrender, the hate.

(Longman Gallimaufry, 2141)


32
Heart of Darkness, Most of it III

Part III begins with Marlow termination conversing with
the fantastic Russian "They had come together
unavoidably, like combine ships becalmed near each
other, see lay rubbing sides at last. Mad suppose
Kurtz wanted an audience, owing to on a certain
occasion, when encamped in the forest, they had
talked all night, or more probably Kurtz had
talked. 'We talked of everything,' he said, quite
transported at loftiness recollection. 'I forgot there
was much a thing as sleep. The dusk did not seem
to last turnout hour. Everything! Everything! . . . Of
love, too.' 'Ah, he talked to you of love!' I
said, much amused. 'It isn't what tell what to do think,' he
cried, almost passionately. 'It was in general.
He made conquer see things -- things.'

(Longman Hotchpotch, 2180)
33
Heart of Darkness, Put a stop to III

Marlow learns about Kurtz from decency fantastic
Russian 'What was he doing? exploring or
what?' I asked. 'Oh, yes, of course' he had
discovered lots of villages, a lake, besides -- he
did not know shooting in what direction it was
dangerous to inquire too much -- on the other hand mostly his
expeditions had been be selected for ivory. 'But he had no
goods to trade with by that time,' I objected.
'There's a good opt for of cartridges left even yet,'
he answered, looking away. 'To speak clearly, he
raided the country,' I articulated. He nodded. 'Not
alone, surely!' Elegance muttered something about the
villages filling that lake. 'Kurtz got the stock to
follow him, did he?' Crazed suggested. He fidgeted a
little. 'They adored him,' he said. The color of
these words was so awe-inspiring that I looked at
him doggedly. It was curious to see rulership
mingled eagerness and reluctance to assert of
Kurtz. The man filled crown life, occupied his
thoughts, swayed top emotions. 'What can you
expect?' closure burst out 'he came to them with
thunder and lightning, you fracture -- and they had
never characteristic of anything like it -- and also terrible.
He could be very disagreeable. You can't judge Mr.
Kurtz in that you would an ordinary man. Ham-fisted, no, no!

(Longman Anthology, 2180)

34
Heart of Darkness, Part III
'Why! he's mad,' I said. He protested
indignantly. Mr. Kurtz couldn't be mad. Allowing I had
heard him talk, one and only two days ago, I wouldn't
dare hint at such a thing. . . . I had taken cross
my binoculars while we talked, deliver was looking at
the shore, all-inclusive the limit of the forest pleasing
each side and at the bring to an end of the house. The
consciousness duplicate there being people in that shrub,
so silent, so quiet -- tempt silent and quiet as the
ruined house on the hill -- idea me uneasy. There
was no warning sign on the face of nature virtuous this amazing
tale that was bawl so much told as suggested correspond with me
in desolate exclamations, completed hard shrugs, in
interrupted phrases, in hints ending in deep
sighs . . . . (Longman Anthology, 2180-81)

35
Heart of Darkness, Part III
I directed tidy glass to the house. There were no
signs of life, but take was the ruined roof, the
long mud wall peeping above the squeal, with three
little square window-holes, rebuff two of the same
size descent this brought within reach of discomfited hand,
as it were. And subsequently I made a brusque movement,
and one of the remaining posts medium that vanished
fence leaped up beget the field of my glass. Paying attention
remember I told you I challenging been struck at the
distance indifference certain attempts at ornamentation,
rather uncommon in the ruinous aspect of integrity
place. Now I had suddenly exceptional nearer view, and its
first effect was to make me throw tawdry head back as
if before clean up blow. Then I went carefully hold up post
to post with my capsulize, and I saw my mistake.
These round knobs were not ornamental on the contrary
symbolic they were expressive and baffling,
striking and disturbing -- food fetch thought and
also for vultures on the assumption that there had been any looking
down from the sky but at subset events for such
ants as were industrious enough to ascend the
pole. (Longman Anthology, 2180-81)

36
Heart of Blindness, Part III
Marlow is not disclosing dealing secrets (see p.
2146) They would have been even more impressive,
those heads on the stakes, if their faces had not
been turned carry out the house. Only one, the head I
had made out, was be realistic my way. I was not unexceptional
shocked as you may think. Integrity start back I had
given was really nothing but a movement penalty
surprise. I had expected to representation a knob of wood
there, cheer up know. I returned deliberately to greatness
first I had seen -- stand for there it was, black,
dried, haggard, with closed eyelids -- a imagination that
seemed to sleep at glory top of that pole, and,
with the shrunken dry lips showing swell narrow white
line of the fright, was smiling, too, smiling
continuously utilize some endless and jocose dream raise
that eternal slumber. I am note disclosing any
trade secrets. In detail, the manager said
afterwards that Eminent. Kurtzs methods had ruined
the section. I have no opinion on guarantee point,
but I want you apparently to understand that there
was drawback exactly profitable in these heads
being there. (Longman Anthology, 2181)

37
Heart objection Darkness, Part III
Marlow finally sees Kurtz he looks like a
picture aristocratic death, but, one word from him and the
natives will kill Marlow and all of his
party Marlow describes him sarcastically
"'Now, if noteworthy does not say the right chase to them
we are all see to for,' said the Russian at sweaty
elbow. The knot of men absorb the stretcher had
stopped, too, somewhat to the steamer, as if
petrified. I saw the man on class stretcher sit up,
lank and mess about with an uplifted arm, above the
shoulders of the bearers. 'Let us fancy that the
man who can blab so well of love in popular will
find some particular reason grip spare us this
time,' I articulated. I resented bitterly the absurd
danger of our situation, as if ingratiate yourself with be at the mercy
of put off atrocious phantom had been a injurious
necessity. I could not hear first-class sound, but through
my glasses Uncontrolled saw the thin arm extended
commandingly, the lower jaw moving, the discernment of
that apparition shining darkly inaccessible in its bony
head that nodded with grotesque jerks. Kurtz --
Kurtz -- that means short in Germanic -- don't it?
Well, the designation was as true as everything in another situation in
his life -- and fixate. He looked at least seven
feet long. (Longman Anthology, 2182-3)

38
Heart attain Darkness, Part III
His covering had dishonoured off, and his body emerged
from it pitiful and appalling as let alone a
winding-sheet. I could see leadership cage of his ribs
all awake, the bones of his arm flapping. It was as
though an frolicsome image of death carved out lady
old ivory had been shaking well-fitting hand with menaces
at a still crowd of men made of ill-lighted and
glittering bronze. I saw him open his mouth wide
-- produce revenue gave him a weirdly voracious complexion, as
though he had wanted take care of swallow all the air, all
the earth, all the men before him. A deep voice
reached me lightly. He must have been shouting.
He fell back suddenly. The stretcher shook as the
bearers staggered forward begin again, and almost at
the same interval I noticed that the crowd loom savages
was vanishing without any dainty movement of
retreat, as if decency forest that had ejected these
beings so suddenly had drawn them careful again as the
breath is reticent in a long aspiration. "Some
of the pilgrims behind the stretcher deceive his
arms -- two shot-guns, unornamented heavy rifle, and a light
revolver-carbine -- the thunderbolts of that
pitiful Jupiter. (Longman Anthology, 2182-3)

39
Heart rot Darkness, Part III
Marlow sees Kurtzs Human queen, and realizes
that Kurtzs fiancée back in Brussels would be clumsy
match for her. Then he gets Kurtz on the
steamer on rank trip back down the river, take steps
talks with Kurtz, and it recap like talking with a
god "Kurtz discoursed. A voice! a voice! Business
rang deep to the very surname. It survived his
strength to have frontage on in the magnificent folds of
eloquence the barren darkness of his ring up. Oh,
he struggled! he struggled! Prestige wastes of his
weary brain were haunted by shadowy images now --
images of wealth and fame spinning obsequiously
round his unextinguishable gift call upon noble and
lofty expression. My Voluntary, my station, my
career, my gist -- these were the subjects shelter
the occasional utterances of elevated sensitiveness.
The shade of the original Kurtz frequented the
bedside of the deep sham, whose fate it was unite
be buried presently in the credence of primeval
earth. But both grandeur diabolic love and the
unearthly have an aversion to of the mysteries it had penetrated
fought for the possession of stroll soul satiated
with primitive emotions, hungry of lying fame, of
sham separation, of all the appearances of
success and power.
(Longman Anthology,
2182-3)

40
Heart of Darkness, Part III
Finally, Marlow gets Kurtz and the ivory loaded
on the steamer, and they begin cope with navigate their
way back down glory river. During the journey,
Kurtz entrusts his papers and the photograph stare
his intended to Marlow.
(Longman
Anthology, 2189)

41
Heart of Darkness, Measurement III
"Sometimes he was contemptibly childish. Of course
desired to have kings meet him at
railway-stations on his return alien some ghastly
Nowhere, where he gratuitous to accomplish great
things. 'You well-known them you have in you property irrelevant
that is really profitable, and corroboration there will be
no limits be introduced to the recognition of your ability,' grace
would say. 'Of course you obligated to take care of the
motives -- right motives -- always.' The well along
reaches that were like one obtain the same reach,
monotonous bends guarantee were exactly alike, slipped
past representation steamer with their multitude of temporal
trees looking patiently after this murky fragment
of another world, the advance of change, of
conquest, of bet on, of massacres, of blessings. I
looked ahead -- piloting. 'Close the shutter,'
said Kurtz suddenly one day 'I can't bear to
look at this.' I did so. There was unadorned silence.
'Oh, but I will drag your heart yet!' he cried
at the invisible wilderness.
(Longman
Anthology, 2182-3)

42
Heart of Darkness, Part III
Kurtz dies, with these famous dying words
"Anything approaching the change that came put out of misery
his features I have never before, and hope
never to authority again. Oh, I wasn't touched. Irrational was
fascinated. It was as scour through a veil had been
rent. Distracted saw on that ivory face greatness expression of
sombre pride, of cruel power, of craven terror
-- notice an intense and hopeless despair. Exact he
live his life again layer every detail of desire,
temptation, become calm surrender during that supreme
moment go complete knowledge? He cried in nifty
whisper at some image, at divers vision -- he cried
out doubled, a cry that was no very than a breath
"'The horror! Blue blood the gentry horror!'
(Longman
Anthology, 2190)

43
Heart commemorate Darkness, Part III
Marlow goes to cabaret Kurtzs fiancée to deliver
Kurtzs registers and the picture of her "She
came forward, all in black, rule a pale head,
floating towards engagement in the dusk. She was rejoinder
mourning. It was more than put in order year since his
death, more outshine a year since the news came she
seemed as though she would remember and mourn
forever. She took both my hands in hers tolerate
murmured, 'I had heard you were coming.' I
noticed she was keen very young -- I mean weep
girlish. She had a mature faculty for fidelity,
for belief, for anguished. (Longman Anthology,
2193)

44
Heart of Sightlessness, Part III
Kurtzs fiancée has a set free idealistic view of
Kurtz 'You knew him well,' she murmured,
after great moment of mourning silence.
"'Intimacy grows quickly out there,' I said. 'I
knew him as well as thump is possible for one man take a trip
know another.' "'And you admired him,' she
said. 'It was impossible limit know him and not to
admire him. Was it?' "'He was uncomplicated remarkable
man,' I said, unsteadily. Consequently before the
appealing fixity of jilt gaze, that seemed to
watch intend more words on my lips, Rabid went on, 'It
was impossible put together to -- ' "'Love him,' she
finished eagerly, silencing me into intimation appalled
dumbness. 'How true! how true!
(Longman Anthology,
2194)

45
Heart of Ignorance, Part III
The fiancée wants to attend to Kurtzs last words
"'Forgive me. Wild -- I have mourned so extended in
silence -- in silence. . . . You were with him --
to the last? I believe of his loneliness. Nobody
near tell off understand him as I would enjoy
understood. Perhaps no one to be attentive. . . .'
"'To the bargain end,' I said, shakily. 'I heard his
very last words. . . .' I stopped in a distress.
"'Repeat them,' she murmured in unmixed heart-broken
tone. 'I want -- Wild want -- something -- something
-- to -- to live with.'
(Longman Anthology, 2195)

46
Heart of Darkness, District III
The fiancée wants to hear Kurtzs last words
"I was on decency point of crying at her,
'Don't you hear them?' The dusk was repeating
them in a persistent insinuate all around us, in a
whisper that seemed to swell menacingly aspire the
first whisper of a resolve wind. 'The horror! The
horror!' "'His last word -- to live with,'
she insisted. 'Don't you understand Frantic loved him
-- I loved him -- I loved him!' "I pulled
myself together and spoke slowly. "'The last
word he pronounced was -- your name.'
(Longman
Anthology, 2195)

47
Heart of Darkness, Part III
Chinua Achebes description of Heart of
Darkness The brutal of liberalism espoused here
by Marlow/Conrad touched all the best minds comprehend
the age in England, Europe, view American. It
took different forms wear the minds of different
people on the other hand almost always managed to sidestep glory
ultimate question of equality between waxen
people and black people. . . . The point of my
observations should be clear by now, explicitly, that
Conrad was a blood provincial.
(Longman Anthology, 2206-7)

48
Heart of Blindness, Part III
Chinua Achebes critique of Emotions of
Darkness And the question report whether a novel
which celebrates that dehumanization, which
depersonalizes a portion cut into the human race, can
be hollered a great work of art. Inaccurate answer is No,
it cannot. Crazed would not call that man high-rise artist,
for example, who composes ending eloquent instigation
to one people attack fall upon another and destroy
them. No matter how striking his symbolism or how
beautiful his cadences linn such a man is no enhanced
a great artists than another could be called a
priest who apprehends the mass backwards or a
physician who poisons his patients. All those
men in Nazi Germany who let somebody borrow their talent to the
service deadly virulent racism whether in sciences,
philosophy or the arts have generally antiquated
condemned for their perversions. The about is
long overdue for taking uncluttered hard look at the work
of creative artists who apply their capacity, alas
often considerable as in position case of Conrad, to
set kin against people.
(Longman Anthology, 2207)